In January we received news that the purchase of two Mimaki flatbeds from CMYUK had set SCG on a new path - that the new technical digital print capability had prompted the company to team up with photographic artist Richard Osbourne to provide bespoke glass installations for interiors. Can you remind us of the key points in that diversification?
Matic Media Services knows how to make money from Web-to-print. Having established PhotoArtWarehouse.co.uk in 2010 and WooWooNails.com in 2012, the Lanarkshire-based large-format PSP has now formed NextDayPosters.co.uk. I asked MD Richard McCombe about the company’s online development capability and strategy.
In September upholstery specialist Anthony Devine came to daytime TV watchers’ attention via an appearance on BBC1 TV programme ‘Money for Nothing’, in which he was seen working on a reupholstery job using his own photography to create imagery for bespoke, digitally printed fabric used to revamp a sofa.
PressOn has become a high-profile company within the large-format sector having made a number of ‘firsts’ in terms of kit investment over the last few years, and having taken a decision to make more noise about what it can do. It’s a strategy that has put co-founder Andy Wilson centre stage, but is it paying off? I went to the firm’s new home in Chatham to find out.
By Lesley Simpson
Raccoon, in Kent, has been going since 1992 and has become synonymous with vehicle wrapping. But it is branching out. A few years ago it introduced Promohire - a promotional vehicle hire service. Now it’s launched www.bigprintfast.com for creatives and trade work. So why has such a specialist print company decided to diversify and is it yet paying off? I asked founder and MD Richard Clark.
By Lesley Simpson